The critical problems are an overbusy time-jumping script and reliance on the conventions of the trauma drama - flashbacks, fragmentation, distorted time and space - that prove more a barrier than a window into the character's inner lives.. In the end, for a movie about such a grim and grotesque chapter in history "The Railway Man" commits the most improbable sin of all. It's dull.. A morally admirable but dramatically inert case of high-minded reconciliation .... The story, based on Lomax's mem...
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