There's a keen and ugly sense of anguish to Stop-Loss, a caged sense of powerlessness beyond political outrage that makes this film far and away the most effective effort yet at capturing the frustration of the war in Iraq.. Clearly, Peirce's motives are pure. She's not using the 'stop-loss' issue as a wedge to make the government or the administration look bad. She's using it to dramatize an injustice and to advocate on behalf of the soldiers.. It's hard to know what we're missing from the exte...
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